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c. 1445 – May 17, 1510. Italian painter.

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Pieter Bruegel
battle between carnival and fast

ID: 45450

Pieter Bruegel battle between carnival and fast
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Pieter Bruegel battle between carnival and fast


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Pieter Bruegel

c.1525-69 Greatest Netherlandish painter of the 16th century. Not much is known of his early life, but in 1551 he set off for Italy, where he produced his earliest signed painting, Landscape with Christ and the Apostles at the Sea of Tiberias (c. 1553). Returning to Flanders in 1555, he achieved some fame with a series of satirical, moralizing prints in the style of Hiëronymus Bosch, commissioned by an Antwerp engraver. He is best known for his paintings of Netherlandish proverbs, seasonal landscapes, and realistic views of peasant life and folklore, but he also took a novel approach to religious subject matter, portraying biblical events in panoramic scenes, often viewed from above. He had many important patrons; most of his paintings were commissioned by collectors. In addition to many drawings and engravings, about 40 authenticated paintings from his enormous output have survived.  Related Paintings of Pieter Bruegel :. | detalj fran dodens triumf.omkr | The Fall of the Rebel Angels | Schlaraffenland | Children's Games | Dulle Griet |
Related Artists:
Jean Leon Gerome Ferris
(August 18, 1863 - March 18, 1930) was an American painter best known for his series of 78 scenes from American history, entitled The Pageant of a Nation, the largest series of American historical paintings by a single artist. He was born in Philadelphia, Pennsylvania, the son of Stephen James Ferris, a portrait painter and a devotee of Jean-L??on G??rôme (after whom he was named) and Mariano Fortuny.He grew up around art, having been trained by his father and having two acclaimed painters, Edward Moran and Thomas Moran, as uncles. Ferris enrolled in the Pennsylvania Academy of the Fine Arts in 1879 and trained further at the Acad??mie Julian beginning in 1883 under William-Adolphe Bouguereau.He also met his namesake G??rôme, who greatly influenced Ferris's decision to paint scenes from American history. As Ferris wrote in his unpublished autobiography, "[G??rôme's] axiom was that one would paint best that with which he is most familiar". However, initially his subjects were Orientalist in nature, that movement having been in vogue when he was young. Some of his material was original, some of it took after Fortuny, but he was skilled enough, despite never having had any experience with Asia. In 1882, he exhibited a painting entitled Feeding the Ibis, which was valued at $600. By 1895, Ferris had gained a reputation as a historical painter, and he embarked on his dream of creating a series of paintings that told a historical narrative. In 1898 he sold one of these, General Howe's Levee, 1777, but he later regretted it, realizing that such a series could not be complete if the separate paintings could not be kept together. As such, he never sold another one of those, but he did sell the reproduction rights to various publishing companies. This later would have the effect of greatly popularizing his work, as these companies made prints, postcards, calendars and blank-backed trade cards use in advertisements. Laminated cards of these works were still being sold as late as 1984. The Landing of William PennThe paintings showed idealized portrayals of famous moments from American history, but were often historically inaccurate. The Landing of William Penn, for example, shows Penn being greeted at New Castle by American Indians who are clothed in the tradition of tribes from the Great Plains. In The First Thanksgiving 1621, the black outfits the Pilgrims are shown wearing are wrong, and the Wampanoag did not wear feathered war bonnets, nor would they have been sitting on the ground. The complete series was shown at Independence Hall in Philadelphia from 1913 to 1930, then moved next door to Congress Hall. In later years it was shown in a number of locations, including the Smithsonian Institution, before being returned to the Ferris family.
Procaccini, Andrea
Italian, 1671-1734 Italian painter, draughtsman and architect. A pupil of Carlo Maratti, he is first documented in 1702, among the restorers of Raphael's fresco decorations (1511-14) in the Vatican. His Tarquinius and Lucretia (c. 1705; Holkham Hall, Norfolk) has cold colours and unnatural gestures that recall Guido Reni. Appointed by Pope Clement XI, between 1710 and 1717 Procaccini supervised the tapestry factory in S Michele a Ripa: the Purification of the Virgin (Rome, Vatican, Consistory Hall) is the only extant tapestry made from a cartoon (untraced) by Maratti and an oil painting (untraced) by Procaccini. The Baptism of Cornelius Centurion (1711; Urbino, S Francesco) for the Baptism Chapel in St Peter's, Rome, was previously attributed to Maratti or Giuseppe Bartolomeo Chiari, but Procaccini apparently based it on sketches supplied by Maratti, who also supervised and revised the work before it was displayed.
Nicola Forcella
Italian, 19th century






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